The poet emerges at sunrise:
alone, as always, and without plan;
when else can he perceive the way
the lark’s sudden departure sends
a crown of halos rippling toward the bank?
His words cast common objects
in an unfamiliar light,
finding sacredness in the profane
and humor even in darkness.
“Yes,” we say,
“it is just like that, isn’t it?
We humans are a funny lot,
and much the same.”
Daylight belongs to the merchants,
the farmers, the tradesmen:
practical men with calloused hands,
theirs is not a life of glamour, but
they keep the world humming along
in good time and good taste
(that is, until the politicians –
who rush forward in late afternoon –
insist to show them all a better way);
busy, busy, is the day –
too busy for an unhurried thought
or unsuspected flash of genius,
too bright its rays.
The philosopher emerges at twilight
to remind the world what it has lost.
“Now we long for the return
of what we once despised…”
His warning is spoken too late, but
he writes the epitaph of the epoch,
understanding in hindsight
what was happening all along.
“We thought ourselves too clever,
building castles out of sand…
Ah! Alack! And what remains?”
The artist appears in the moonlight,
untroubled by the fall of empires;
somehow he knows humanity will survive
this latest apocalypse.
The passing era has left at his disposal
more than enough fragments:
shards of marble and of clay
to be sifted through and studied
till he can fashion a new way:
“Bold! Revolutionary! Daring!” they exclaim,
as skepticism fades to praise.
The poet emerges at sunrise…